This evening, I watched a new Netflix movie called The Dig, set in an English village in the months leading up to WW2. Watching it, I noticed a stark lack of any sort of design or imagery within the setting of the story. The only graphic I noticed through the whole movie was a small matchbox held up for a moment while lighting a pipe…
In contrast, Wes Anderson’s film The Grand Budapest Hotel is set in nearly the exact same time (though in a fictionalized version of our own history), and is CHOCK full of beautiful graphics. Letters, notes, books, tickets, signage.
These stories are Very different – the former is set in the country of a remote village, the latter revolves around a large hotel a quaint little city – but the difference still struck me. I think Wes Anderson uses graphics and design in a way that few other directors do, at least that I’ve noticed. I think it’s a very cool tool that I wish (maybe selfishly) was used more often in film. It’s something I want to think about more intentionally when ever I get around to writing something for the screen!
I can’t wait to see how and where Wes uses graphic design in his upcoming film, The French Dispatch.